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- Reuven Malter's Development in The Chosen by Chaim Potok
- Malter's Development in The Chosen
-
- One of the most emotional scenes from Chaim PotokÆs The Chosen is when
- Reuven goes with Danny Saunders to talk to his father. Danny has a great
- mind and wants to use it to study psychology, not become a Hasidic
- tzaddik. The two go into Reb SaundersÆ study to explain to him what is
- going to happen, and before Danny can bring it up, his father does. Reb
- Saunders explains to the two friends that he already known that Reuven
- is going to go for his smicha and Danny, who is in line to become the
- next tzaddik of his people, will not. This relates to the motif of
- ôIndividualityö and the theme of ôDannyÆs choice of going with the
- family dynasty or to what his heart leads him.ö
- The most developing character from the novel is Reuven Malter. One of
- the ways that he developes in the novel is in hus understanding of
- friendship. His friendship with D\fanny Saunders is encouraged by his
- father, but he is wary of it at first because Danny is a Hasid, and
- regards regular Orthodox Jews as apikorsim because of the teachings of
- his father. Reuven goes from not being able to have a civil conversation
- with Danny to becoming his best friend with whom he spens all of his
- free time, studies Talmud and goes to college. Reuven truly grows
- because he leans, as his father says, what it is to be a friend. Another
- way that Reuven grows is that he learns to appreciate different people
- and their ideas. He starts out hating Hasidim because itÆs the ôpiousö
- thing to do, even though his father (who I see as the Atticus Finch of
- this novel) keeps telling him that itÆs okay to disagree with ideas, but
- hating a person because of them is intolerable. Through his friendship
- with Danny, studies with Reb Saunders, brief crush on DannyÆs sister
- (who was never given a name), and time spent in the Hasidic community,
- he learns that Hasids are people too with their own ideas and beliefs
- that are as valuable as his. He learns why they think, act, speak, and
- dress the way that they do and comes to grips with the fact that he
- doesnÆt have a monopoly on virtue. A third way in which Reuven grows,
- though the book doesnÆt really talk about it a great deal, is in his
- appreciation of life, or chaÆim in Hebrew. He almost loses his vision,
- his father nearly works himself to death, six million Jews are
- butchered in Europe, and DannyÆs brotherÆs poor health threatens DannyÆs
- choice to not become a tzaddik. When his eye is out of order he canÆt
- read, and indeed does remark that itÆs very difficult to live without
- reading, especially with a voracious appetite for learning such as his.
- His father almost dies twice and he talks about how difficult it is to
- live all alone in silence (which is a metaphor alluding to DannyÆs
- everyday life) for the month while his father is in the hospital. He
- sees Reb Saunders and his father feeling the suffering of the six
- million dead, Saunders by crying and being silent, David Malter by
- working for the creation of a Jewish state and being a leader in the
- movement, in addition to teaching at a yeshiva and adult education
- classes. And of course Danny is very worried by his brotherÆs illness
- (hemophillia?) because if he dies it will be even harded for Danny to
- turn down his tzaddikship. By the end of the book, Reuven Malter is a
- very changed character.
- Potok is an expert with using allusion and metaphor. Very subtly
- throughout the book he uses this for the purposes of renforcing his
- points, foreshadowing, and to make the book a better read when youÆve
- read it previously and know the outcome. One example of this, one that I
- missed the first time I read the book in 7th grade is the paragraph at
- the end of chapter nine where Reuven is sitting on his porch and sees a
- fly trapped in a spiderÆs web with the arachnid builder approaching. He
- blows on the fly, first softly, and then more harshly, and the fly is
- free and safe from the danger of the spider. This is a metaphor to Danny
- being trapped in the ôfilmy, almost invisible strands of the webö (165)
- that is a metaphor for the Hasidic clan that has Danny somewhat captured
- and expected to become a tzaddik.